The rhythm in the ceramics of Wisam Al- Haddad
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Abstract
The research addresses the rhythm in the ceramics of Wisam Al-Haddad). It consists of four chapters, the first
chapter includes the methodological framework for the research represented by the research problem and its
significance, which ends with the following question: ‘‘Is there rhythm in the ceramics of Wisam Al- Haddad’’? The
research highlights the aesthetic and intellectual product of one of the most remarkable Iraqi ceramists. It provides art
libraries with a study related to one of the concepts that have a distinctive effect in plastic artworks. It can be utilized by
students in the field of plastic arts.
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